My Sister, My Friend



When I think about my best friend, it’s hard to find the right words to release the feelings in my heart. Sometimes I catch a glimpse of what I want to say, and then it floats away into a mist of cloudy happiness again. Snapshots of memories, fragments of conversations, all combining to form something so deep and dear that I can’t wrap my mind around it.

My best friend happens to be my sister – my only sister – my only sibling. She’s mine and no one else’s. I like it that way.

Growing up, we were never lonely. My mom always taught us that friends would come and go, but a sister would be with you for a lifetime – so we’d better learn to get along.

If we argued, fought, or got mad at each other, we weren’t allowed to have any other friends over until we’d patched things up.

I remember spending many happy hours in the realms of imagination. We pretended we were characters from our favorite books and movies, and we made up some of our own too. But we never compartmentalized our fun – all of our characters knew each other and belonged to what we termed “the Gang.” I tell you, when the Gang got together for a pool party, it felt like there were fifty people in my bedroom, though it was only me and my sister. And when we played whiffle ball, there were two whole teams churning up dust in our backyard, but my mom only saw the two of us.

“We could be a WHOLE PARADE” – I Like You, Sandol Stoddard Warburg


We were cowgirls together, spelunkers together, detectives together. There’s still a hole in the shared wall between our closets for the wire that connected our Morse code transmitters. If her closet door is open and the clothes are pushed aside, I can peek through from my side and see her bed.

Once we made up our own language (as if quoting our favorite movies wasn’t enough). Another time we turned my bedroom into a 1700s house by covering the Little Tikes Party Kitchen with brown paper bags and taping a paper fireplace onto a table. Plug-in candles threw us into a world of childish fantasies that occupied us for days.

The games we shared, the imaginary stories we wrote are locked in the most secret places of my heart. No one else is privy to enjoy them as we did. I guess no one else would want to – they were significant because they were ours, not because they were anything in and of themselves.

Our imaginations have grown rusty with time, and adult life keeps us busy with work and responsibilities, but we always make time for each other, even if it means combining work with play. Many of our heart-to-heart talks happen in the car on the way to dance class. She often grades papers while we watch TV. I might bounce screenplay ideas off of her on a shopping trip. And when we want some relax time, we’ll probably pop in an East Side Kids film and drink tea.

It’s glorious to know someone who thinks so much like I do and enjoys the same things – it’s as if our minds are linked on a special frequency that no one else can intercept. We speak the same code.

Like on the days we wear the same shirt without planning it (and neither of us goes back to change). Or when one of us is sad and the other says just the right thing without knowing it.

There is a friend who sticks closer than a brother, but when that friend is your sister, you have the best of both worlds, don’t you?

I wouldn’t want to face the world without her.

AbigailBeck (2)

Sometimes I think it would be nice to write something amazing about all the special memories we have, but then again, it’s nice to have secrets.

I imagine there’s a big old-fashioned trunk in my heart (because we both like old-fashioned) with our names on it. There’s a matching one in her heart. Only we can see them or open them. Sometimes we do – and take out our treasures, hold them up and exclaim, “Remember when we did that?” “We sure had fun.” Then we close the lids, but we don’t lock them, because we’re adding new treasures every moment we’re together. Everyone should have a heart-friend – God knew mine needed to be my sister.

“I like you because/ I don’t know why but/ Everything that happens/ Is nicer with you/ I can’t remember when I didn’t like you” – I Like You, Sandol Stoddard Warburg


Photo Credits: Abigail Beck

A Tube of Autumn Cheer


IMG_6215There’s something about autumn that makes us want to curl up in a corner with a favorite book, a thick blanket and – a hot cup of tea. For many people tea is the comfort drink of choice, and depending on the blend, it can conjure up a host of moods and thoughts. In autumn a spicy chai or a tangy orange tisane might set the mind wandering to memories of roaring fires, rain clouds and holiday cheer. With its potential for pleasure tea makes a perfect fall or winter gift, and when packaged in an elegant glass tube with homey accents, it can delight before it’s even brewed.


  • 1 glass test tube with cork stopper
  • 1 scrap of decorative orange paper
  • 1 scrap of decorative brown paper
  • 1 scrap of muslin fabric
  • Orange embroidery floss
  • 2 gold brads
  • 1 medium glass bead
  • 1 small pearl bead
  • 2 gold decorative bead caps
  • 1 2-1/8 inch gold head pin (flat head). Must be long enough to wire through the two beads, the end caps and the cork stopper with about a 1/4 inch to spare
  • 3 small orange flower drop beads (the kind where the hole runs through the vertical center of the flower)
  • 1 9/16 inch gold head pin (flat head). Must be long enough to extend about a 1/4 inch from one of the flower drop beads
  • Teacup rubber stamp and black ink pad
  • Loose leaf tea (I used Organic Saigon Chai from DAVIDsTEA – it’s just right for autumn with its spicy flavors and colorful ingredients)



  • Straight pin (the kind used for sewing)
  • Sewing needle
  • Round nose pliers
  • Pinking shears
  • Black felt-tip pen (I like to use Paper Mate Flair® pens)
  • Hole punching tool (1/16 inch hole size)
  • Paper trimmer
  • Scissors
  • White glue



  1. Wash the glass part of the test tube thoroughly and dry it. Set aside.
  2. Using the straight pin, pierce the top center of the cork stopper so that the hole goes all the way through to the underside.
  3. Assemble the pearl bead, the glass bead and the bead caps on the 2-1/8 inch head pin in this order: pearl, bead cap, glass bead, bead cap. Then poke the head pin through the hole in the stopper until the stack of beads rests on top of the cork. There should be about 1 inch of the head pin sticking out the bottom of the stopper.IMG_6217
  4. Use the round nose pliers to bend this excess wire into a simple loop that’s flush with the cork’s surface. This will secure your beads and prevent the pin from sliding out.
  5. Add one of the flower drop beads to the 9/16 inch head pin. Form another simple loop with the pliers, but before you close it off all the way, link it to the loop under the cork.
  6. For the test tube label, rubber-stamp the image of a teacup onto your scrap of muslin (make sure to iron the fabric first!). With the pinking shears, cut out the image in a rectangle shape (leave about a 5/8 inch margin around the image).IMG_6220
  7. Using only three strands of embroidery floss, hand-sew a running stitch around the border of the fabric rectangle. Secure the thread at both ends to prevent slipping.
  8. Cut a rectangle out of the brown paper that’s about a 1/2 inch bigger on all sides than the fabric rectangle. Tear along all four edges for a distressed look (the paper should now be only slightly larger than the fabric).
  9. Align the fabric rectangle with the brown paper rectangle. Punch a hole to the left of the teacup that goes through both layers, is vertically centered and isn’t touching the stitched border. Repeat on the right side of the teacup.
  10. Insert the brads into the holes and open the closure tabs so they don’t show from under the paper.
  11. Cut a rectangle from the orange paper that’s slightly larger than the brown rectangle. Align the brown paper/fabric ensemble on top of the orange rectangle and glue them together. Your label is complete!
  12. Write the name of your chosen tea and its brewing instructions on the back of the label with the black pen.IMG_6203
  13. Cut a 12-inch length of embroidery floss (six strands). Wrap the label around the test tube and loop the floss around the two brads, leaving yourself two tails to tie a bow.IMG_6211
  14. Thread one of the remaining flower drop beads onto each tail of the floss. Knot the floss so the bead doesn’t slide off (you may need to double or triple the knot).IMG_6218
    • If your bow tails are too long, you may knot them a little higher and trim off any excess thread. But be careful – don’t trim them so short that you can’t retie the bow again!
  15. Fill the test tube with tea leaves (be sure to leave enough room for the flower drop bead to dangle above the tea) and cork it! You’re ready to give someone a taste of autumn.IMG_6230

Remembering My Unexpected Journey


In anticipation of the third installment of Peter Jackson’s The Hobbit trilogy (The Battle of the Five Armies) and in connection with Warner Brothers’ official video contest, I took a trip down memory lane and revisited my favorite personal ‘Middle-earth’ moment.

Water From the Memory Well


Most people wouldn’t choose to spend their Saturday morning and afternoon in a Marriott hotel without a booking, but that’s where I found myself last weekend — surrounded by rhinestones, funny looking dresses, banana curls that defied natural roots (pun definitely intended), nonstop accordion/fiddle music, and swarms of memories.

That’s what I get for going to a feis. For those who are unfamiliar with the Gaelic word, a feis (pronounced “fesh”) is an Irish dance competition. (In a broader sense it refers to a Gaelic festival, but for me, an ex-Irish dancer, it has always meant competing for a prize.)

As I walked across the narrow blacktop driveway toward the ballrooms at the side of the hotel, I felt confident: a native daughter returning to the world of her childhood. But this time, instead of a half-circle dress bag and a carry-all stool packed with two pairs of black leather dance shoes, a curly blond wig, bobby pins, poodle socks, duct tape, etc., I shouldered only an orange satchel purse. No stress; no pre-competition angst; just a pleasant time to reflect on the past and invest in the present.

I was there to watch a young friend make her own memories. About a year ago she fell head over heel-clicks in love with Irish dancing and dove right into it, burning energy at lessons and at home, listening to Celtic music, and watching YouTube videos of dance champions. In February she competed in her first feis (I was blessed to be there for it), and already she’s trebling and skipping upward through the ranks to Prizewinner.*

Inside the hotel corridor I met the familiar scene. Large cellophane-wrapped raffle baskets decorating long tables like giant rhinestones; shiny garment racks packed with a rainbow of used costumes just waiting for the perfect girl to find her new look; vendors selling everything from Barry’s Tea to hair scrunchies (and I do mean hair scrunchies — there were enough synthetic curls to make Shirley Temple jealous). I turned to the left and found Ballroom B.

Two years ago I had come to this feis. Not as a dancer — college had already put an end to my competing days — but as a sentimental time traveler hoping to reconnect with my past. The exact events of that day are somewhat blurred now, but I remember coming away with a new appreciation for Thomas Wolfe’s perceptive phrase: You can’t go home again. Though I had met up with a few friends, the face of Irish dancing that I knew had changed. One classmate was away on vacation; two others had moved east. Soft skirts were in, paneled skirts were out, and the wigs had gotten bigger (mine would have looked like a novice’s in comparison). Small changes added up, and I stood face to face with the facts: The era that stood frozen in my mind had moved on without me.

Quitting dance hadn’t been easy. When you’ve been involved in something for thirteen years, there’s a lot of mental rearranging that accompanies a new direction. The process started when my mom got a job and couldn’t drive me to practices. Then I registered for the fall semester and found that a class conflicted with my lessons. “I’ll be back after Christmas” I told myself (and my teacher), confident that I would simply pick up where I left off.

Christmas came and went, and with an intense spring semester approaching, I realized how much I valued the extra study time not going to dance had given me. By summertime, I had finally swallowed the new reality: I was done with Irish dancing. The fact that I had time to chew before swallowing was just one of many proofs that God is gracious.

So in spite of my disappointment, in spite of the drawn out goodbye, in spite of Thomas Wolfe, why was I back? What made this time any different than two years ago?

I had no difficulty finding my friend’s family. Together we made a fine cheering squad — filled an entire row of chairs by ourselves. During the interludes when the object of our accolades wasn’t dancing, I gladly supplied a running commentary (by request) about everything from feis procedures to costume styles. When my friend took the stage, I sat up tall in my chair to see around the adjudicator’s table as best I could, but even when the white tablecloth hid her feet, we could see her smile — a smile sweet with genuine pleasure. She was glad to be there, fulfilling a dream.

In her I saw one of my own dreams fulfilled: a dream of watching a new generation take up its Irish dancing shoes the way I did sixteen years earlier. Two years ago I had been dwelling on the past; now I was living in the present. A season of my life had ended, but a new season had taken its place, one in which I appeared not as the performer, but as the supporter.

People sometimes ask me if I miss Irish dance, and I usually answer with a decisive yes and no. I miss my teacher; I miss the kids who danced with me over the years. I miss the practice sessions and the physical stamina I used to have. But to give a flat out yes would be to acknowledge that Irish dance plays no part in my life anymore. On the contrary, I simply changed roles. My old memories are a well from which to draw water for the present, and I’m just thankful that up-and-coming dancers like my friend give me a reason to dip in my bucket and pull it up full.

*Irish dance levels progress as follows: Beginner 1, Beginner 2, Novice, Prizewinner, Preliminary Championship, Open Championship.

And since Irish dance is empty without Irish music, here’s a link to the lively Chieftains album that inspired my title.